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One Page Challenges

One of my favorite activities on the Script Hive Discord server is the One Page Challenge (OPC).

Every week, a new prompt is posted with a call for entries. Anyone can submit as long as their script is no longer than a page. The prizes are generally only the accolades of your peers, but there are occasional guest hosts and more significant prizes.

It’s a great way to keep my writing muscles limber and get immediate feedback. I think it’s helped me improve my writing craft significantly over the past year, and it’s also given me inspiration for a few ideas that I might turn into longer pieces.

The Quarter-Finalists

FMK (OPC #87)
  • The sub-genre is: Budget Horror
  • You must open the page on the image of a physical object
  • And close the page on an image of that same object

Logline: Four girls hang out in an empty house, but their night takes a dark turn when they play a game.
Notes: Quarter-finalist, 2022 Killer Shorts.

A Soft Earth
  • Body horror
  • An unlikely location

Logline: A nervous young man enters his girlfriend’s pottery studio to have a serious conversation with her, but she reacts in an unexpected way.
Notes: Quarter-finalist, 2023 Killer Shorts.

A Few of My Favorites…

Where the Road Curves (OPC #27)
  • A bus ride
  • A character is daydreaming

Logline: A bus ride on a darkened rural road is all a young woman needs to find supernatural help.
Notes: This is easily my favorite of the OPCs I’ve written so far. It also got the most votes for the week.

The New Queen (OPC #64)
  • The genre is ‘Horror’
  • A birth – could be the birth of a child, an invention, a group or organization etc.
  • No dialogue allowed

Logline: When a king forces his queen to drink a potion to make her young again, there are bloody results.
Notes: I was really happy with how this one turned out and decided to rewrite it as a short story.

A Storm of Wings (OPC #66)
  • The scene takes place in a busy location.
  • A twisted or unlikely romance.

Logline: When military men corner a young woman, she calls for supernatural help.
Notes: I really enjoy the gothic fantasy tone I achieved here.

Outer Rim Café (OPC #74)
  • Bees.
  • A character’s life is changed forever.

Logline: Two friends catch up at a space station cafe, but things take a strange turn when one notices a bee.

The Bone Forest (OPC #77)
  • The Genre is: Adventure
  • Your main character/s is under 16
  • A surprise!

Logline: A scout and his talking squirrel friend journey through a forest made of bones.

Eidolon Vintage (OPC #81)
  • Your page takes place in one location.
  • A place you would never expect to be haunted.
  • A gruesome death using only two action lines.

Logline: When a young woman visits a strange vintage shop, the shopkeeper makes it difficult to browse in peace.

…And All the Rest

The Pool Car (OPC #18)
  • A setting with a pool
  • A voice-over narrator

Logline: A private detective searching for a missing girl takes a ride in a strange car.

Widdershins (OPC #19)
  • This is page 75 of a feature film, all hope is lost for our main character
  • The main character must be John Goodman, playing himself
  • The page/main scene must take place in a moving vehicle

Logline: Two versions of John Goodman, one young and one old, make last-minute plans as they ride in a fairy seed-ship.

Mister Lonestar (OPC #20)
  • Your page must focus on the inciting incident of a feature film
  • You must include the line “This can’t be accurate?” in dialogue
  • Choose one of the following as your setting:
    • Somewhere underground
    • Motel Room
    • Fast Food Restaurant
    • Mars

Logline: A mysterious trickster tries to convince an angry young man to become his apprentice.

The Fire Remembered (OPC #21)
  • Your Protagonist is introduced in their identifying environment. Use whatever you want to get there.
  • Your MC is not aligned with that environment. Any way to accomplish this is fine. Some examples might be:
    • Highlighting the opposite ideals of your MC (as advertised by Craig Mazin)
    • Indicating your MC is trying to be something they are not (see K. M. Weiland)
    • Setting your MC up with a difficult decision that will impact their future lives wholly (R. McKee).
    • Or forge your own paradigm! There are literally no rules here, only subjective interpretations of emotional resonance.

Logline: A young farm girl tussles with a dragon.

Coffee, Interrupted (OPC #22)
  • Have a character do objectively morally good things
  • Make the audience increasingly hate/despise this character

Logline: A nervous man waits to speak to a woman but is overshadowed by a another, better man.

The Bird-Watchers (OPC #23)
  • The genre is Thriller
  • Important exposition must be delivered through the use of a smartphone (whether on a call, through a text or photo, or by using the smartphone in any other way)

Logline: A secret meeting on a secluded park bench turns violent.

Elizabeth(s) (OPC #26)
  • Two scenes, each 1 page long (so 2 pages total!)
  • Minimal action lines
  • Each scene involves the MC talking to a different single person
    • In one scene, the MC has authority over the other person
    • In the other scene, the other person has authority over the MC

Logline: Two identical women plan a heist, but when one is caught, a secret about her nature is revealed.
Notes: The rare two-page challenge!

Plastic Fangs (OPC #28)
  • Your page must include exactly 2 speaking characters
  • One character portrays themselves as having lower social status in order to better achieve their goal
  • The whole page takes place during a Halloween party

Logline: Two college guys attend a Halloween party, but when one suggests a costume change, the other takes offense.

The Case of the Upside-Down Ocean (OPC #29)
  • All of the characters have to be middle-schoolers
  • There has to be a fantasy/supernatural element
  • Your page takes place at one of these locations:
    • A junkyard
    • A water tower
    • An amusement park
    • A submarine

Logline: A group of kids drive a submarine into an ocean in the sky to try and save their sick friend.

Comfort Zone (OPC #55)
  • A sound effect.
  • An artifact from an unknown technology
  • The line “That’s just crazy enough to work”

Logline: Two friends explore the universe hiding inside a puffy couch.

Scrambled (OPC #56)
  • An egg.
  • A character who switches tactics to get what they want.
  • A Super or ‘Chyron’

Logline: When a man finds himself trapped inside a mysterious white void, he tries to convince his captor to let him out.

Doggerel (OPC #67)
  • The Genre is: Science Fiction
  • Your main characters must hate each-other
  • It ends with an explosion (of any size)
  • You must invent a new word that is:
    • Relevant to the plot or characters
    • Appears in dialogue
    • Can be understood from context clues only.

Logline: A family dog takes issue with the robot dog he suspects is meant to replace him.

Puzzling (OPC #71)
  • Your main character seems to have achieved everything they could possibly want.
  • Something makes them realize what they actually want.

Logline: A puzzle-loving man is drawn out of his comfort zone when his neighbor shows him a mysterious artifact.

Crust Punks (OPC #72)
  • Your page takes place in one location.
  • We must never see ‘the monster’
  • But we should know what that monster is.

Logline: A scrappy punk band realizes that a former member may be taking revenge from beyond the grave.

Out of Body (OPC #82)
  • Your characters are on holiday.
  • Tensions rise during an awkward moment.

Logline: A hip young couple shares a relaxing out-of-body experience, but things go badly when the woman jokes around.

The Deeper Cut (OPC #83)
  • The Genre is Animation
  • A character who isn’t human that can talk.
  • A visual or special effect.

Logline: A gravely injured man confers with his bizarre, toothy familiar as they search for a dragon.

Haste, Spice (OPC #89)
  • Your page must take place in space.
  • A heist.

Logline: A woman on a date in a man’s luxury cabin reveals her ulterior motives when their spaceship’s gravity field abruptly shuts off.

Inheritance (OPC #94)
  • The page must start on a dead body
  • The words “you’re not serious” included in dialogue
  • The page must end with us knowing what actions will be undertaken next in the story

Logline: When a young woman inherits her late uncle’s mansion, she is disturbed to learn about his dying wish.

Key Ring (OPC #100)
  • 100
  • A locked door is involved in some way.
  • Only one character can have dialogue.

Logline: A woman tries to open a mysterious door in the middle of a forest clearing.

A Conversation Before Dinner (OPC #109)
  • A SINGLE action scene.
  • The line of dialog “I told you it wasn’t me”

Logline: A woman interrupts her husband’s dinner prep with a nasty fight about a shady deal.

The Enforcer (OPC )
  • A tough, one-sided phone conversation.
  • A baboon.

Logline: A nervous man answers a phone call offered by an intimidating baboon wearing a suit.