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Craft

January by the Numbers

Writing in January went pretty well overall. I started by writing a little bit of fiction every day and I eventually pulled off a streak that lasted through the end of the month.

Right near the end I decided that I needed to figure out a way to count working on an outline, because I spent that last Friday and Saturday getting ready for my screenwriting class and all of my energies were devoted to my outline instead of writing or rewriting.

I updated my spreadsheet so that I could count the hours I spent in class or working on my outline. Problem is, it feels a bit like cheating even though it’s a pretty important part of the process.

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Craft

Screenwriting Class, Round Two

I signed up for the 201 level of Tom Vaughan’s Story and Plot class a few weeks ago, and I’m really looking forward to it. The class starts next Saturday, and this time around we’re actually going to be writing script pages. I enjoyed the 101 class a lot, but it’s definitely time I started writing a script of my own instead of limiting my creative energies to short stories and The Leet World.

I have two ideas that feel like feature films, but of course I’m planning on using the idea I didn’t bring to class last time around just because I want to make things difficult for myself.

The idea I brought last time is a contained sci-fi thriller about what might happen if teleporters existed and garage inventors started tinkering with them. The problem is that I couldn’t figure out what the character arcs needed to be; it was more of a philosophical premise than an actual character-based story. I never spent the time necessary to develop it into an actual working script, but I don’t plan on abandoning it entirely. I’ll just come back to it some other time.

This time around, I’ve decided to focus on an idea that I originally thought might work best as a web series. It’s a story about a home-brewer who stumbles into a world of magical beer recipes and secret societies. I have a much clearer idea of the main character’s story arc, so I think I’ll be able to come up with a decent outline pretty quickly and start producing pages.

As for the outline, I’m using Amazon Storybuilder to create a corkboard version. I feel like I have a pretty solid first act mapped out, but I’m not sure where the script needs to go from there. I’m planning on using the rest of this week to complete the handouts from the 101 class and fill out the outline as much as possible before class begins.

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Craft

What I’m Writing Right Now

OK, so: I’m writing every day, and doing my best to maintain my streak, which means I have a few different irons in the fire at all times. Options are good! That’s how I’ve met my reading goals year after year – by reading at least a half-dozen books at the same time.

I have three (maybe four) stories that I would currently consider “active” right now. What I mean by active is that I’m actually trying to complete them and get them ready for submission. On days when I’m not ready to dive in to one of my stories, I’ve been trying to prioritize blog posts, although there are a handful of days when I’ve fallen back on writing a journal or rewriting an existing story.

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Craft

One More Time With the Writing Tracker

If you’ve met me, you probably know that I love tracking things.

  1. I’ve kept track of my reading habits on Goodreads (and other services) since 2006. That’s almost a decade at this point.
  2. I’ve owned three Fitbits over the years and am constantly trying to figure out ways to get more steps so that I can reach 10,000 steps a day.
  3. Whenever I decide that it’s time to lose weight, I use apps like Lose It or MyFitnessPal to track calories (until I get frustrated and eat all of the calories I can find).
  4. One of the main ways I’ve tried to get serious about my writing is by tracking my daily output. I’ve had some success with this in the past, but whenever I’ve failed, I’ve failed spectacularly and gone months without writing a word.

This year I’m making an effort to track all of those things again because I’m a masochist. They’re basically listed in order of how difficult I find them to achieve.

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Craft

Watch Your Fucking Mouth

I’ve been reading a lot of unproduced screenplays recently, and a few things have been jumping out at me.

First off: a lot of writers fumble on structure. A lot of what I’ve read has shown clear signs of competence but wandered around plotless for upwards of fifty pages. Some writers can pull off plotless, but most of them are novelists.

The other thing I’ve noticed is that a lot of writers are really bad at swearing. I’ll read a script full of characters saying fuck every other sentence and it just rings untrue. I always feel a bit silly when I ding a script for “too much swearing”, so I’ve been trying to put my finger on what bothers me about it. I’m no prude, and some of my favorite scenes and movies are full of swearing, so what’s different about these scripts?

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Craft

Write Every Day for a Month, Part One of Twelve

Last year I bought a giant wall calendar that I used to track my writing habits. I used a green check to indicate days when I wrote, and red checks on days that I didn’t. I bought the calendar a few months into the year, so one of the first things I did was put red checks through those months. This was not a good beginning.

I ended up writing only intermittently, usually one or two days here and there followed by weeks of nothing. Lots of red Xs, easy to see from across the room. It didn’t take long before I only updated the calendar occasionally, and usually only to add a bunch of red Xs. I did have success late in the year when I wrote a story and had it accepted for publication, but after that I struggled with all of my follow-up work, and pretty soon I stopped updating the calendar at all. It was clear that my system wasn’t working.