Archives for category: Writing








“There are dreams and there are career plans. They are not the same. Some dreams are compensatory: visions that we retreat to in times of stress, like blankies for infants, things that comfort us and tell us what we need to be told. The dream of being a famous writer can be like that: a dream of infantile power and attention that disguises the more immediate need — for safety, self-love, serenity, peace in our hearts.”

via Should I leave L.A. after one year? | Salon Life.

Just a quick post to point out a nice long post John Scalzi made re: the dedication/stamina/stubbornness necessarily to write and get published as a novelist. Here’s a choice pull-quote I can relate to:

[Some writers] start writing something that they thought might be a book-length idea, only to find not only did it not qualify as a short story, it was better for everyone involved if the stunted, weird thing was taken behind the tool shed, whacked with a shovel and buried without anyone else knowing it ever existed.

From “Why New Novelists are Kinda Old, or, Hey, Publishing is Slow“.

This episode was a bit harder to write, but I’m really proud of how it turned out, especially considering how rushed I was when I wrote it. My only regret is that I wasn’t able to find more places for comedy and/or jokes.

Eddy, Nick and Daniel all say they’re happy with the tone of the episode and love how it turned out, but I knew there would be fans that might complain about it being “too serious”. Oh well. Can’t please ‘em all.

Feel free to check it out, although I do recommend catching up on previous episodes first. The Leet World has become almost entirely serial at this point, so if you aren’t caught up on the previous episodes, you’ll be lost in the wilderness watching this one.

Yes, it’s true. Jeff James, continually procrastinating writer, has actually produced new work! Specifically, Episode #9 of The Leet World.

To be completely honest, I actually finished the script about a month ago, but I haven’t talked about it for a few reasons. First off, I wanted to wait until the episode was actually released. However, that happened on February 1st, and here it’s two weeks later and I’m just now writing about it. Can’t really explain that part, except that I did kind of want to wait a little while to see what people thought of the results. Most people seem to think I did a good job, so I guess it’s about time I talk about it.

In any case, I’d like to share the episode and talk a little bit about the writing process. If you’re completely new to the show, however, I’d recommend watching one or two of the previous episodes since the first part of my episode resolves a cliffhanger from the first half of the season.

Once you’ve familiarized yourself with the show, go ahead and check out the episode:

The final version you see there is about 85%-90% stuff that I wrote. The Player/hat love story (which is *great*, by the way) is the biggest addition they made, and is a joke I couldn’t even have come up with in the first place since I had no idea there was a freakin’ snow man on the map. There are also a few line tweaks and improvs here and there.

If you’d like to know more about the episode and my writing process, continue reading… Read the rest of this entry »

So it occurred to me recently that Google Video will let you post videos of pretty much any length. A guy on the Leet World forum posted a 40 minute video, so I thought I’d get in on the act and digitize the footage I have of Knifepoint, which I haven’t watched in years.

I ended up having to re-digitize the video into iMovie, and it took forever to convert the 43 minute video into a format that Google can use, but here it is:

You need to have flashplayer enabled to watch this Google video

This performance is from 2003, and is the final dress rehearsal, so there’s no audience other than the techs, who occasionally walk in front of the camera. The show was directed by Andrew Richey, and stars Barrett Michael, Lauren McCauley, and Liam Boyer. I haven’t talked to most of those people in years…

I think most people I know managed to come see the show when it was performed, but there may be a few of you out there who didn’t get the chance, so it’s nice to have this available in an online format. I think I may do the same thing with some of the other videos I’ve got lying around…

EggThis time it was a puzzle piece. I watched, fascinated, as its edges began to curl in the crackling oil. I saw, perhaps, the leg of a small dog. Or could it be flowers, ready to bloom? Was this where all the lost puzzle pieces of the world ended up? I imagined some poor soul assembling this puzzle on their dining room table, anticipation building as everything began to come together, and then… One piece missing, never to be found. The unfinished puzzle, boxed back up and returned to the shelf… ready to mock them whenever they needed a bath towel or decided to play a game of Sorry. At this point, I realized that I was talking to myself, speaking my thoughts… slowly. Like reading a book to a small child. I was clearly weak with hunger. I reached down, pulled the piece (now soggy with oil) from the skillet, winced as the cardboard scalded my fingers, and popped it in my mouth. It was hardly as satisfying as I had hoped, but with some persistent chewing and a glass of water, I managed to gulp it down. I tossed the pieces of broken shell into the sink and grabbed another one from the carton. Always the optimist.

(This vignette was brought to you thanks to a suggestion from my co-worker: he picked a random word, and I wrote something inspired by it.)

Last night, as I lay in bed preparing for sleep, a bit of dialogue was running through my head, so I decided that I had better write it down to make sure it didn’t go away. 30 minutes later, I had this scene. Enjoy!

(Two men on a roof, standing by the edge and looking off into the distance. They are making no effort to conceal themselves.)

A: Yesterday some man on the street told me that I was ‘making a mockery’ of what I ‘stand for’. How can I make a mockery of it when I don’t even know what I stand for?

B: For that matter, how could he know what you stood for?

A: Exactly! Besides, I was just standing there.

B: Maybe you got him confused. Maybe he meant that you were making a mockery of what he stood for, id est, what he actually said was ‘You’re making a mockery of what I stand for!’

A: …No, no… that doesn’t sound right. In any case, I wasn’t mocking anything, I was just standing.

B: What if the act of standing was mockery in and of itself? Was he in a wheelchair? I could see how someone in a wheelchair might get sensitive about those sort of things… standing and the like.

A: No, no, he was standing perfectly well…. he was wearing pants, mind you, so he may have had a wooden leg under there, or prosthetics. It’s amazing… the things they can do with prosthetics.

Read the rest of this entry »

So tonight was “Cathedral For a While” party #3. I didn’t perform, but I did put together “a second issue of Summer Reading”:http://unsquare.com/temp/issue2.pdf. (If you’re curious, “issue #1 is available in .zip form here”:http://unsquare.com/reading_1.zip.)

For some reason I wasn’t satisfied with just formatting everyone else’s stories, and I didn’t want to include something old. So I wrote a new story. In an hour.

I have this feeling that it’s probably terrible, but it is amazing considering I forced myself to produce in a very short time limit. I threw caution to the wind and I just wrote! Perhaps a lesson can be learned?

(Don’t write under deadline?)

In any case:

Mr. Gantry Comes to Visit
by Jeff James

Davis woke suddenly from a very deep sleep. This was less than comfortable. His eyes would not, did not focus, and his thoughts were still dozing, lethargic and lost in the jumble. What had awakened him? Something sharp and metallic. Jabbed right into the soft part of his left foot. There was no sign of it now.
He rose from bed, walked unsteadily across the room to his miniature bathroom. “Walked” was perhaps giving him too much credit – he stumbled, cursed, stumbled again, and stepped on something that irreparably broke.
He splashed water on his face, cold water. As cold as his faucets would allow, which meant somewhere just below lukewarm. It seemed to help, at least a little bit. He could focus his eyes now. He no longer saw his apartment as a colorful field of fuzzy jumbles. The jumbles rearranged themselves into his fairly depressing collection of earthly possessions.
He toweled himself off and heard, faintly, the sound of clinking glass in the kitchen. A voice called out: “Coffee’s ready.”
Davis stepped into the hallway and walked towards his undersized kitchen. A full pot of coffee steamed on the burbling automatic coffeemaker. Just to the right of that on the counter, at about chest level, was a man’s face.
Or, to be more specific, a man’s head.
Where the man’s neck logically should have continued down into his body, there was a small metal platform that sprouted spider-like metallic legs. They clicked softly on the kitchen counter as the head skittered from side to side.
This was Gantry. He said: “I would have poured you a cup, but these things’re worthless for gripping,” and gestured meaningfully with two spider-legs. Read the rest of this entry »

I was in the shower and I began picturing this scene. I don’t know who these people are yet, or where this scene is going, but it’s something new.


(The stage is empty except for a large, alien-looking tree, all twisted trunks and ripe-looking fruit. A slight breeze seems to be passing through and making the leaves gently ripple, or perhaps it is our imagination.

A man – tall, dressed in a sharp, dark business suit and clutching a briefcase in one hand, slowly walks onstage. He peers cautiously around until he is sure the coast is clear, and then he walks directly up to the tree and begins attempting to pick a piece of fruit. He does this without ever loosening his grip on the handle of the briefcase. All of the fruit seems to be too high at first, but he finally manages to get a grip on one and tear it off the branch.

Sometime during all this – we did not notice, it seems – a woman wearing a light, flowery dress and holding a double-barrel rifle walked in from behind the man, who didn’t notice either.

He buffs the fruit on the lapel of his suit jacket, inspects it, and is about to take a bite, when the woman – gun at ready – finally speaks up.)

WOMAN
Don’t. Eat. That.

(At the sound of her voice, the man freezes, mouth open, fruit at the ready. After a few loud, slow milliseconds, he carefully turns around and holds out the piece of fruit to her.)

MAN
Pardon me. (Pause.) Is this your orchard?

WOMAN
Put it down. On the ground. Here in front of me.

MAN
No worries, no worries. No need to get so worked up over a little piece of fruit.

(The man walks slowly over and places the fruit a few feet in front of the woman. She covers him the whole time. After he has backed away, and is an equal distance from the fruit and the tree itself, the woman walks over, gingerly picks up the fruit, and wraps it carefully in a piece of soft paper. She puts the parcel away and then turns back to the man.)

WOMAN
You’re a long way from the office. (Pause.) What’s in the briefcase?

MAN
(Looks at the case, then at her.)
Papers. Business cards. One of those magazines they give you on an airplane. Nothing interesting.

WOMAN
Must be important stuff, though… Couldn’t you put it down to pick some fruit?

MAN
Listen, I’m… sorry I trespassed on your land, ma’am, but I’m a bit lost and I got hungry. If you’ll point me in the direction of the nearest highway, I’d be happy to be on my way.

WOMAN
Highways? (Pause.) Oh, there’s no highways around here, I’m afraid.


Another fragment: “I want you to see things clearly, with sharpened eyes.”